Cinemas/Bingo Halls/ Theatres
Walthamstow (Buxton Rd) - Nov 2003
this was the Dominion which opened on Dec 22 1930 and seated 1,685 people, built on the site of the
Princes Pavillion, it closed in 1958 and was then used for wrestling, it reopened in Oct 1958 as a cinema
only to close again for convertion to bingo in 1961, the frontage has been reduced in height and used to be
twice as tall
Derelict London visitor DB remembers:
" it was a Music hall / Cinema combined.. On its opening night it was shrouded in heavy fog..and it is noted that "The
carriages arriving, were only visible by the foyer lights"... It is noted and logged at "Vestry House Museum", Walthamstow
Village.. ( It used to back onto my infant school...but its all changed now...roads
have gone...playgrounds gone...half the school was demolished to make way for a new access road...)"
same view of the front in 2006 - bingo signs removed & more boarding
Walthamstow (Bakers Arms)
Listed for preservation by the Department of Culture Media and Sport on the advice of English Heritage
The Empress Cinema in Hoe Street near the junction with the Bakers Arms, dates from 1913, built by local
builders and merchants, Good Brothers
It became the Cameo in March 1961, closing in 1963 to become a bingo club, then it reopened to show
uncensored sex films in 1970 as the Tatler Film Club, the opening films were Love Lamp Seven and Free
Love Confidential, it eventually closed in Aug 1981 to become an amusement arcade
Walthamstow EMD Cinema (Hoe St)
The outside was designed by Cecil Masey and the interior by Theodore Komisarjevsky, both in a Moorish style.
Komisarjevsky was a refugee Russian prince working for Sidney Bernstein in creating truly escapist
entertainment for the masses. Foyers were lined with mirrors, and gilding and marble effects heavily used
to make the customers feel like royalty. This was one of Bernstein's flag-ship Granada cinemas back in
1930 and still has it's Christie organ which has reportedly suffered only minor damage from vandalism
and pigeons and organ enthusiasts at least hope to have it up and running in the future!
Interior pics courtesy of WALTHAM FOREST CIVIC SOCIETY
The man who created the Museum of the Moving Image has been called upon to bolster support for
Walthamstow's ailing EMD Cinema says The North London Guardian.This cinema, when opened, had
three screens and could seat up to 3000 people. During the 1960s it hosted gigs by the Who, the
Stones and the Beatles, among many others
Leslie Hardcastle, who ran the National Film Theatre for 35 years, recenyly visited the Hoe Street venue
He said the Grade II-listed building should be turned into a multi-purpose venue. "There's enough room
to put a coffee house, an information technology suite, and all sorts of other things in here.There's a lot of
space here going to waste and it needs to be preserved. The country protects its stately homes and
castles, and makes sure they continue to operate, so why not the cinemas?"
Another press story from the N London Guardian:
"THE EMD cinema has been devastated during a marathon 30-hour illegal rave which saw clubbers
enjoying an orgy of drug-taking and mindless vandalism. The historic Grade 2 listed building was covered
in graffiti, and seats and projection equipment were ripped out and stolen during the frenzy.
Dozens of residents had no sleep as up to 500 ravers broke in on Sunday at around 2am. They were
still there at noon on Monday. Booming music and noisy clubbers kept residents awake and police were
powerless to act as they were hugely outnumbered."
The cinema was bought by the UK church of God (UKCG)* who wanted to turn it into a meeting centre / church.
There was a lot of local opposition to this, resulting in the local council turning down UKCG's plans.
The UKCG then appealed to the Government but lost. The cinema is still empty and awaiting conversion to a
"Help Centre"
DB recalls:
"In the early 80's, i used to work there, around the back of the cinema was the handymans workshop. One day, whilst doing an
outside light check, i noticed a man walking down, towards the back of the cinema. I called out and the man stopped. He looked
familiar to me but i just couldnt place him, but i knew that i knew the face. He told me he was looking for the cinemas "handyman"..
I followed him down to the workshop, and called out to the "handyman" that he had a visitor...Both men started to look at me and the
man, who i thought i 'knew', asked / told me..."You dont recognise me..do you..??".. I replied "I have seen you around here before"...
And then the handyman told me who it was... It was "Bobby Moore", the footballer..the world cup 1966 footballer... THE one and only
Bobby Moore...Turns out that Bobby Moore knew the handyman from when they were both children, they had grown up together in
Barking and used to go to the cinema when they were both younger. One friend became a handyman, the other captained England
and lifted the World Cup."
Catford Plaza (ABC Cinema)
The last remaining cinema in the Borough of Lewisham - the only London borough without a cinema?
"NEWS OF LEWISHAM HUMANISTS has campaigned vigorously in the past year against the proposal
to change the use of the former ABC cinema in Catford. The Universal Church for the Kingdom of God
had plans to use the building for worship and as a conference centre with library. Our opposition stemmed
from the association of this church with abuse of the little girl Victoria Climbie. It was alleged that she was
possessed by demons. after an attempt to 'exorcise' these she wasmurdered. The re-use of the building
as a cinema is also sought"
Dagenham
I've now been informed that this WAS NOT A CINEMA! it is actually a former Burton's menswear shop!
It was orginally faced in black stone as opposed to the more usual light grey and would have had a
billiard/snooker hall on the 1st Floor. ( the Burton family were of a temporance persuation and believed
in providing alternatives to licensed premises for public entertainment).
Mornington Crescent - Camden Palace
Charlie Chaplin once performed in the grade-II listed building, which has also hosted major live
music acts like The Clash. The venue has been closed down & sold recently and is (apparently)
currently undergoing refurbishment. The blue plague informs us that the last ever Goon show ever
staring Peter Sellers, Spike Milligan & Harry Secombe was recorded here in 1972
Now reopened after a multi-million pound facelift & renamed as KOKO!
Phil Clark writes: "it was previously the Music Machine, and in that guise hosted regular music gigs in the punk era 1976-78.
Before that the Camden Theatre. As you say the last Goon Show was recorded here in 1972 but it was actually used for
regular Goon recordings during the 1950s. The cast would famously slip out during the musical breaks to the pub over the
road. At one point in the early 70s the Camden was threatened with demolition but thankfully saved"
Dalston Theatre
Originally opened as a circus in 1886, the small front entrance on Dalston Lane still existing today is
original to this date. In 1897, the auditorium was rebuilt as a variety theatre seating 3,516. In 1920,
the interior was redesigned into the Dalston Picture House. It closed in 1960 and the front foyer
became a nightclub, the auditorium first became a warehouse, then a car auction room and lastly
another nightclub. It has all been closed since 2000.
Hackney Council in Feb 2006 approved proposals for the total demolition of the Victorian and Georgian
heritage buildings The Council Planning Sub-Committee ignored the objections raised by local market
traders, businesses, arts groups and residents of Dalston, and voted to level the site, while simultaneously
acknowledging that Councillors have not been presented with any plans for what will replace the historic
buildings.
The decision was greeted by loud protest from the 60 members of the public who had succeeded in
attending the meeting, despite the council’s confused attempts earlier in the evening to limit public entry
to just half the public gallery’s usual capacity. 100 members of OPEN had peacefully protested outside
the Town Hall before the meeting started.
OPEN’s chairman, Bill Parry-Davies, reacted to the council’s decision with dismay. "This wastrel council
has a reputation as philistines with no regard for Dalston’s history and culture and being only concerned
with selling our property to finance their bankrupt ideas for the Town Hall Square. They didn’t take the
chance to change that reputation tonight." He also expressed disbelief that there had been no leeway
in the meeting for saving even those elements of the site that English Heritage and others had praised.
"The application to demolish the whole site in its entirety, precluded any consideration of retaining the
beautiful Georgian and Victorian frontages" he said. "It’s a disgrace that there was no opportunity for
council members to vote on retaining any aspects of the site."
Charles Collins (tenant of the Dalston Theatre 1963-1999 and founder of the Club Four Aces reggae club):
"This [demolition] will destroy the memory and history of black culture in Dalston."
Hackney Council and the London Development Agency are seeking to demolish the theatre and
re-develop the site as part of a major new development entitled Dalston Lane South, which will
feature residential tower blocks of up to 19 storeys.
CJ Ross writes:
This is a flyer from when myself and some university friends used to travel across London to a 'rave' club at 12 Dalston Lane, The Four Aces
Club. This would have been around 1993-4 and there would be Labrynth club nights on Friday and Saturday nights. It was located in the
entrance area, whilst the main auditorium on Roseberry Place housed a ragga/swingbeat/hip-hop-type affair. Sometime around '95/'96,
Labrynth took over the main auditorium as well, before eviction and relocation to Tottenham, but this was after I was a regular. I know that
illegal raves carried on in the theatre for many years since. Rumour also had it that it was once a residence of George Harrison, hence his
picture being used by Labrynth, as can be seen on your picture of the Roseberry Place entrance. But I have my doubts.
It was an interesting place, a club that stayed open until 6am but served no alcohol. Which may help to suggest the type of atmosphere inside.
The clientele was a mixture of students, such as us and local 'yoot', of all races, who seemed to vary in age from 12 to 30. The atmosphere
was happy, but there was a definate air of menace around the place.The club was made up of numerous rooms. The main entrance area
was about thirty metres long, ten metres wide and made up the main dance area. This usually consisted of hardcore and jungle music, played
by the likes of Nicky Blackmarket, DJ Sy and Kenny Ken. There was a small stage area at the back end (opposite to the entrance) with the DJ
situated high to the left and a giant stack of speakers to the right. A small staircase went under the stage to the 'tunnel' area, perhaps the
dodgiest arena in the club. This also housed the cloakrooms and toilets. A doorway off to the right hand side of the stage was clearly a fire
escape, but the steps were used as a make-shift chill-out area. Just before the DJ box, on the left, was a doorway which led to the garden
and a stairwell into the basement. The basement either played more 'acid-y' sounds or the same as the main area. The garden was usually
busy and the fire escape (which can be seen in your photo) led up to the top floor which was of a more relaxed, 'housey' nature. An
alternative route to this top floor was a narrow, steep stairwell located not far from the main entrance.
Considering the times we had and the passage of time, I'm surprised I can remember so much about the place. It wasn't the type of club that
not too many of my peers would consider going to and some who went were intimidated by the place. I myself, found little wrong with it,
perhaps the odd dodgy moment, but nothing bad. Perhaps my greatest long-term fear about the place was the amount of times we re-filled
our water bottles from the taps there. God knows what kind of state the pipes were in.
It holds a special place in my youth and it would be sad to see it destroyed
Nov 06 - update from The Hackney Gazzette:
"WRECKING crews for a dilapidated Hackney landmark have been put on hold pending legal proceedings.
The High Court has made an order banning council contractors from demolishing Dalston Theatre in Dalston Lane
until a detailed hearing takes place on December 1.
The derelict theatre occupies a site earmarked by Hackney Council and the London Development Agency (LDA)
for a development of multi-storey tower blocks, ahead of the planned 2010 Dalston Underground link.
Mr Justice Sullivan made the order regarding the theatre and adjoining Georgian terraced houses on Friday after the
council's legal representatives refused to voluntarily put off the demolition work before the court date next month.
The hearing has been scheduled following an application by the Dalston-based Organisation for the Promotion of
Environmental Needs (OPEN).
The council is currently employing 24-hour security for the site at a weekly cost of £16,000.
It is not the first time this year that contractors for the development have been called off at the 11th hour. On Thursday
last week, Ruth Kelly, Secretary of State for Communities and Local Government, lifted a three-week ban she had
imposed on the works and announced there would not be a government review of the plans for the site.
The building had previously been protected by an injunction made by Mr Justice Collins on April 5, although the
council granted new planning consent for the redevelopment works to the LDA in September.
Two weeks ago protesting squatters, who had occupied the theatre since February, were evicted by police and
contractors boarded up the premises to prevent future unauthorised entry."
June 2007 - The Dalston Theatre has now been demolished
Hoxton - The Cinema
The Cinema opened in 1914 and closed in 1956. After being empty for 4 years it was used as a
meat storage facility until 2001. Plans are underway to re-open the building as a community cinema
Coronet Cinema, Eltham
The Odeon Cinema opened in 1936 to serve the suburban development in the Well Hall area
of Eltham. Subsequently it became the Coronet but is now closed
Just across the roundabout from the Coronet cinema, opposite an anonymous bus stop along
an anonymous suburban road lies a simple grey marble plaque. . Engraved with the epitaph 'In
memory of Stephen Lawrence'. Black teenager Stephen Lawrence was murdered by thugs at
this bus stop. A bungled police investigation means no one has been convicted for his murder.
Isle of Dogs - London Arena
Built on the site of the old Fred Olsen tomato and banana warehouse, the London Arena was
opened in 1989, and is large enough internally to hold a football match. The capacity of the
Arena can be altered hydraulically, and can seat up to 12,000 people. As well as pop concerts,
(The Brit. awards were held here recently), and sporting events, the main flooring space could be
converted into an ice-rink.
The arena now closed, will be replaced with new homes, offices, a hotel and leisure facilities, plus an upgraded DLR station.
Brixton - Rex Cinema
opened 1911
The State Leytonstone
The round bit on the top was the projection box.
pic courtesy of Roy Dart who worked at the cinema in the 1950's
Broad Green (Croydon) - Safari Cinema (originally called The Savoy and then the ABC)
Developers plan to demolish the 1930s Safari Cinema in London Road, West Croydon and replace it with 138
flats, including 52 key worker shared-ownership flats
The Beatles played here the night of March 21, 1963, and their first album, Please Please Me, was released the
following day. Cilla Black and PJ Proby also played live shows here.
Wally Plummer wrote in the Croydon Guardian:
"Imagine a young lad of 15-years-old, watching Yolton Korda's 1939 version of The Four Feathers. I saw it in the middle of an air-raid!
The announcement would flash up on the big screen that an air-raid was in progress, and the programme would continue. What with
the noise of the Sudan uprising of the 1890s on screen and the real life gun-fire outside the building, it sounded like stereophonic sound."
and P Quinn wrote:
"The cinema survived the Blitz, it was a place that Croydon people escaped to inside to dream of a better world. But I fear it will not
survive the vested interests of developers and a council more geared than ever to keeping property developers, large chains, and
big franchises happy. What Croydon Council does not seem to grasp is that cities have layers: they are mixtures of old and new,
antiquated and ultra-modern. The Council should think hard before removing a small but significant layer from the town centre.
But I suspect that those of us who care and hold out hope for the future of this particular dream palace can only dream on.
PETER FREARSON writes:
"So sad to see this wonderfull old cinema like this ,as school boy I saw my first western in 3d and came out at the end quite convinced
I had a arrow in my school cap ,this was the 1950 s when there was a bit more room on the planet. "
Colin Marsh writes: "my father, LEN MARSH, was Assistant Manager at the ABC – originally called the SAVOY – until the early 1960’s,
when he moved to an administrative job at ABC Head Office. Dad worked for ABC from c.1946 until the late 1970’s. and managed a
number of cinemas in and around South London, although West Croydon was his base. He acted as Relief Manager at cinemas in
Purley, Norbury, Streatham, Mitcham, Balham, Tooting, Beckenham, Camberwell, Forest Hill – and those are the only ones I can
remember. If anyone remembers my Dad – worked with him, perhaps – I would like to hear from them. Dad died in 1997, and I
am trying to piece together the gaps in our family history." Colin.Marsh@UCS.AC.UK
Archway Theatre
Hackney Empire has reopened!
The legendary Hackney Empire was re-opened in January 2004 after a massive overhaul of the
theatre by Tim Ronalds Architects. Following the Hackney Empire Appeal Campaign led by Griff Rhys Jones
which raised £15 million, the theatre initiated a major programme of redevelopment and extensive restoration
of the facilities, whilst preserving the original features that made it one of the most popular venues in London.
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